| M.R Acharekar | |
|---|---|
| Born | Murlidhar Ramchandra Acharekar Achra, Maharashtra, India |
| Died | Delhi, India |
| Occupation | Artist, Art Director, Author |
Murlidhar Ramachandra Acharekar (1907–1979) was an Indian artist, film art director in Hindi cinema, who won Filmfare Best Art Direction Award three times, 1958 for Pardesi, 1960 for Kaagaz Ke Phool, in 1962 for Jis Desh Men Ganga Behti Hai. [1]
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Murlidhar Ramachandra Acharekar (1907–1979) was born in the coastal village of Achra, Maharashtra in konkani family. 1923-28 M.R Acharekar Explored new areas of expression like photography and lithography. Started a lithopress, Bombay. Noted for his brilliant career with an early success at various exhibitions at home and abroad.Established himself easily as one of the most promising painters of his time.Executed important commissions like painting the historical event of the inauguration of the Round Table Conference by his late Majesty King George V of the United Kingdom, in 1932,the Silver Jubilee Celebrations of King George V in 1935, in London where he was sent with special credentials by the then Viceroy of India, Lord Willingdon. Executed portraits of dignitaries and eminent men and women in India. His book Rupadarsini, An Indian Approach to Human Form, established his reputation as a sound draughtsman and an excellent teacher.
Acharekar remained in the forefront of portrait paintings, especially of the commemorative genre, for more than forty years. He was also an educationist and a successful art director who raised art direction to a new height in the field of cinema. His interest and superb ability in live portraiture is apparent in the ease and rapidity of his renditions of human figures, retaining their character and likeness. It was the perfect academic discipline gained in his early life, the sheet anchor of his artistic credo, which facilitated these easy renderings. It must be noted that he remained alive to change and rejuvenate, evolving gradually without sudden revolutionary mutations. He remained very much his own master with no direct and obvious influences of any "isms".
1917-23 Studied at Ketkar Institute of Art, Bombay.
1928 Diploma in Painting, Govt. of Maharashtra, Bombay.
1932-34 Studied at Royal College of Art, London.
1932, Exhibited painting titled Round Table Conference, Imperial Institute, London.
1937 Solo exhb. Inaugurated by Maharaja of Mandi, New Delhi.
1954, 56, 58, 79 Solo exhibitions., Bombay.
1973, exhibitions of 51 Paintings depicting the first hundred years of the freedom movement (1757–1856), inaugurated by Indira Gandhi, Birla Bhavan, New Delhi.
2004, Manifestations II, organised by Delhi Art Gallery, Jehangir Art Gallery, Mumbai and Delhi Art Gallery, New Delhi.
1929 Maharaja of Bhavnagar's Prize, Bombay.
1930 Silver Medal, Bombay Art Society, Bombay.
1931 Gold Medal, Bombay Art Society, Bombay.
1955 Awarded Tamra Patra, Govt. of India.
1957, 59, 61 Filmfare Award, for Art Direction, Bombay.
1957 Awarded Film Journalists Association Trophy, Bombay.
1968 Awarded Padmashri, Govt of India.
1923 Appointed as Junior Teacher, Ketkar Institute of Art, Bombay.
1937-39 Deputy Director, Sir J. J. School of Art, Bombay.
1948-56 Principal, Academy of Art, Bombay.
Satyam Shivam Sundaram: Love Sublime (1978) [Production Designer]
Mera Naam Joker (1970) [Art Director]
Bombai Raat Ke Bahon Mein (1968) [Art Director] [Set Decorator]
Sapnon Ka Saudagar (1968) [Set Designer] (as M.R. Acharekar)
Suraj (1966) [Art Director]
Amrapali (1966) [Art Director]
Rajkumar (1964) [Art Director]
Sangam (1964/I) [Production Designer]
Dil Hi To Hai (1963) [Art Director]
Jis Desh Men Ganga Behti Hai (1960) [Art Director] [Production Controller]
Anari (1959) [Art Director]
Kaagaz Ke Phool (1959) [Art Director]
Ab Dilli Dur Nahin (1957) [Art Director] [Production Controller]
Pardesi (1957) [Art Director]
Jagte Raho (1956) [Art Director] (as M.R. Acharekar) [Production Controller] (as M.R. Acharekar)
Shree 420 (1955) [Art Director] (as M.R. Acharekar) [Production Controller] (as M.R. Acharekar)
Boot Polish (1954) [Art Director]
Aan (1952) [Art Director] (as M.R. Acharekar)
Ashiana (1952) [Art Director]
Bewafa (1952) [Art Director]
Awaara (1951) [Art Director]
Naujawan (1951) [Art Director]
Shahjahan (1946) [Production Designer]